In an effort to gain a better understanding of what could have been, I began working with a
family from Afghanistan who although they have lived in the U.K for some years and are becoming
familiar to the western ways of Britain, their own culture remains deeply rooted. In order to
gain a first hand account of a culture not too dissimilar from that of Iranian customs, the family
honourably welcomed me into their home.
The works focus on two girls from the family, Rulia age seven and Basraj age eight.The girls are
photographed with an often passive and expressionless face with the aim of steering away from
the conventional portraits usually made of children. This has been with the intention of drawing
emphasis to the details surrounding the girls such as their style of dress and the environment
they are in all in all making reference to the culture of the children with subtle hints throughout
the series to note western influence or involvement.
As stated by Iranian artist Shirin Nesaht in the book 'Veil: Veiling, Representation and
Contemporary Art, I made a decision that my work was not going to be about me and my opinion
on the subject, but an observation of the girls and how they choose to be photographed
with very little direction from myself as the image-maker.